Cambridge companion to harold pinter
Material type: TextPublication details: U.K. Cambridge University Press 2009Edition: 2ndDescription: 323pISBN:- 9780521713733
- 822.914 CAM-C
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Reference Book | Amity Central Library ASLA - ENGLISH | Reference | 822.914 CAM-C (Browse shelf(Opens below)) | Not For Loan | 32435 |
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822.91 SHA-C Candida | 822.912 SHA-P Pygmalion | 822.912 SHA-S Saint Joan | 822.914 CAM-C Cambridge companion to harold pinter | 823.7-AUS-E Emma | 823 BAT-A Voices in the City | 823 ROY-G God of Small Things |
Select Frontmatter
Frontmatterpp i-xx
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Select Introduction
Introductionpp 1-4
By Peter Raby
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Select Part I - Text and Context
Part I - Text and Context
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Select 1 - Pinter, politics and postmodernism (1)
1 - Pinter, politics and postmodernism (1)pp 7-26
By Austin Quigley
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Select 2 - Pinter and the 1950s
2 - Pinter and the 1950spp 27-42
By John Stokes
Select 3 - The sacred joke: comedy and politics in Pinter’s early plays
3 - The sacred joke: comedy and politics in Pinter’s early playspp 43-55
By Francesca Coppa
Select 4 - Tales of the city: some places and voices in Pinter’s plays
4 - Tales of the city: some places and voices in Pinter’s playspp 56-73
By Peter Raby
Select 5 - Pinter and twentieth-century drama
5 - Pinter and twentieth-century dramapp 74-87
By Ronald Knowles
Select 6 - Harold Pinter, screenwriter: an overview
6 - Harold Pinter, screenwriter: an overviewpp 88-104
By Steven H. Gale
Select 7 - Speaking out: Harold Pinter and freedom of expression
7 - Speaking out: Harold Pinter and freedom of expressionpp 105-120
By Mary Luckhurst
Select Part II - Pinter and Performance
Part II - Pinter and Performance
Select 8 - Body language in Pinter’s plays
8 - Body language in Pinter’s playspp 123-145
By Richard Allen Cave
Select 9 - Harold Pinter as director
9 - Harold Pinter as directorpp 146-159
By Michael Pennington
Select 10 - Directing the plays of Harold Pinter
10 - Directing the plays of Harold Pinterpp 160-169
By Peter Hall
Select 11 - Pinter in Russia
11 - Pinter in Russiapp 170-194
By Charles Evans
Select 12 - Pinter and Ireland
12 - Pinter and Irelandpp 195-215
By Anthony Roche
Select 13 - Pinter’s late tapes
13 - Pinter’s late tapespp 216-230
By John Stokes
Select Part III - Reactions to Pinter
Part III - Reactions to Pinter
Select 14 - Pinter’s sexual politics
14 - Pinter’s sexual politicspp 233-248
By Drew Milne
Select 15 - Pinter and the critics
15 - Pinter and the criticspp 249-265
By Yael Zarhy-Levo
Select 16 - Pinter as celebrity
16 - Pinter as celebrity pp 266-282
By Harry Derbyshire
Select 17 - Pinter, politics and postmodernism (2)
17 - Pinter, politics and postmodernism (2)pp 283-296
By Mireia Aragay
Select 18 - The Pinter paradigm: Pinter’s influence on contemporary playwriting
18 - The Pinter paradigm: Pinter’s influence on contemporary playwritingpp 297-309
By Steve Waters
Select 19 - Afterword: Harold Pinter and cricket
19 - Afterword: Harold Pinter and cricketpp 310-311
By John Fowles
Select Bibliography
Bibliographypp 312-315
Select Main Index
Main Indexpp 316-321
Select Works Index
Works Indexpp 322-323
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