MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03654nam a22001937a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780521713733 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
822.914 CAM-C |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Raby, Peter |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Cambridge companion to harold pinter |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
2nd |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
U.K. |
| Name of publisher, distributor, etc |
Cambridge University Press |
| Date of publication, distribution, etc |
2009 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
323p. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Select Frontmatter<br/>Frontmatterpp i-xx<br/><br/>Export citation<br/>Select Introduction<br/>Introductionpp 1-4<br/>By Peter Raby<br/>Export citation<br/>Select Part I - Text and Context<br/>Part I - Text and Context<br/><br/>Export citation<br/>Select 1 - Pinter, politics and postmodernism (1)<br/>1 - Pinter, politics and postmodernism (1)pp 7-26<br/>By Austin Quigley<br/><br/>Export citation<br/>Select 2 - Pinter and the 1950s<br/>2 - Pinter and the 1950spp 27-42<br/>By John Stokes<br/><br/>Select 3 - The sacred joke: comedy and politics in Pinter’s early plays<br/>3 - The sacred joke: comedy and politics in Pinter’s early playspp 43-55<br/>By Francesca Coppa<br/><br/><br/>Select 4 - Tales of the city: some places and voices in Pinter’s plays<br/>4 - Tales of the city: some places and voices in Pinter’s playspp 56-73<br/>By Peter Raby<br/><br/>Select 5 - Pinter and twentieth-century drama<br/>5 - Pinter and twentieth-century dramapp 74-87<br/>By Ronald Knowles<br/><br/>Select 6 - Harold Pinter, screenwriter: an overview<br/>6 - Harold Pinter, screenwriter: an overviewpp 88-104<br/>By Steven H. Gale<br/><br/>Select 7 - Speaking out: Harold Pinter and freedom of expression<br/>7 - Speaking out: Harold Pinter and freedom of expressionpp 105-120<br/>By Mary Luckhurst<br/>Select Part II - Pinter and Performance<br/>Part II - Pinter and Performance<br/><br/>Select 8 - Body language in Pinter’s plays<br/>8 - Body language in Pinter’s playspp 123-145<br/>By Richard Allen Cave<br/><br/>Select 9 - Harold Pinter as director<br/>9 - Harold Pinter as directorpp 146-159<br/>By Michael Pennington<br/><br/>Select 10 - Directing the plays of Harold Pinter<br/>10 - Directing the plays of Harold Pinterpp 160-169<br/>By Peter Hall<br/><br/>Select 11 - Pinter in Russia<br/>11 - Pinter in Russiapp 170-194<br/>By Charles Evans<br/><br/>Select 12 - Pinter and Ireland<br/>12 - Pinter and Irelandpp 195-215<br/>By Anthony Roche<br/><br/>Select 13 - Pinter’s late tapes<br/>13 - Pinter’s late tapespp 216-230<br/>By John Stokes<br/><br/>Select Part III - Reactions to Pinter<br/>Part III - Reactions to Pinter<br/><br/>Select 14 - Pinter’s sexual politics<br/>14 - Pinter’s sexual politicspp 233-248<br/>By Drew Milne<br/><br/>Select 15 - Pinter and the critics<br/>15 - Pinter and the criticspp 249-265<br/>By Yael Zarhy-Levo<br/><br/>Select 16 - Pinter as celebrity<br/>16 - Pinter as celebrity pp 266-282<br/>By Harry Derbyshire<br/><br/>Select 17 - Pinter, politics and postmodernism (2)<br/>17 - Pinter, politics and postmodernism (2)pp 283-296<br/>By Mireia Aragay<br/><br/>Select 18 - The Pinter paradigm: Pinter’s influence on contemporary playwriting<br/>18 - The Pinter paradigm: Pinter’s influence on contemporary playwritingpp 297-309<br/>By Steve Waters<br/><br/>Select 19 - Afterword: Harold Pinter and cricket<br/>19 - Afterword: Harold Pinter and cricketpp 310-311<br/>By John Fowles<br/><br/>Select Bibliography<br/>Bibliographypp 312-315<br/><br/>Select Main Index<br/>Main Indexpp 316-321<br/><br/>Select Works Index<br/>Works Indexpp 322-323<br/> |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Drama / European / English, Irish, Scottish, Welsh, Literary Criticism / Drama, Performing Arts / Theater / General, Electronic books, Dramatists, English -- Criticism and interpretation -- 20th century, English drama -- History and criticism -- 20th century, Theater -- England |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://www.google.co.in/books/edition/The_Cambridge_Companion_to_Harold_Pinter/RdoD8_Wj30QC?hl=en&gbpv=1&dq=Cambridge+companion+to+harold+pinter+by+raby+peter&printsec=frontcover">https://www.google.co.in/books/edition/The_Cambridge_Companion_to_Harold_Pinter/RdoD8_Wj30QC?hl=en&gbpv=1&dq=Cambridge+companion+to+harold+pinter+by+raby+peter&printsec=frontcover</a> |
| 901 ## - LOCAL DATA ELEMENT A, LDA (RLIN) |
|---|
| Acc. No. |
32435 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
