000			03654nam a22001937a 4500
999			_c45991 _d45991
003			OSt
020			_a9780521713733
082			_a822.914 CAM-C
100			_aRaby, Peter
245			_aCambridge companion to harold pinter
250			_a2nd
260			_aU.K. _bCambridge University Press _c2009
300			_a323p.
500			_aSelect Frontmatter Frontmatterpp i-xx Export citation Select Introduction Introductionpp 1-4 By Peter Raby Export citation Select Part I - Text and Context Part I - Text and Context Export citation Select 1 - Pinter, politics and postmodernism (1) 1 - Pinter, politics and postmodernism (1)pp 7-26 By Austin Quigley Export citation Select 2 - Pinter and the 1950s 2 - Pinter and the 1950spp 27-42 By John Stokes Select 3 - The sacred joke: comedy and politics in Pinter’s early plays 3 - The sacred joke: comedy and politics in Pinter’s early playspp 43-55 By Francesca Coppa Select 4 - Tales of the city: some places and voices in Pinter’s plays 4 - Tales of the city: some places and voices in Pinter’s playspp 56-73 By Peter Raby Select 5 - Pinter and twentieth-century drama 5 - Pinter and twentieth-century dramapp 74-87 By Ronald Knowles Select 6 - Harold Pinter, screenwriter: an overview 6 - Harold Pinter, screenwriter: an overviewpp 88-104 By Steven H. Gale Select 7 - Speaking out: Harold Pinter and freedom of expression 7 - Speaking out: Harold Pinter and freedom of expressionpp 105-120 By Mary Luckhurst Select Part II - Pinter and Performance Part II - Pinter and Performance Select 8 - Body language in Pinter’s plays 8 - Body language in Pinter’s playspp 123-145 By Richard Allen Cave Select 9 - Harold Pinter as director 9 - Harold Pinter as directorpp 146-159 By Michael Pennington Select 10 - Directing the plays of Harold Pinter 10 - Directing the plays of Harold Pinterpp 160-169 By Peter Hall Select 11 - Pinter in Russia 11 - Pinter in Russiapp 170-194 By Charles Evans Select 12 - Pinter and Ireland 12 - Pinter and Irelandpp 195-215 By Anthony Roche Select 13 - Pinter’s late tapes 13 - Pinter’s late tapespp 216-230 By John Stokes Select Part III - Reactions to Pinter Part III - Reactions to Pinter Select 14 - Pinter’s sexual politics 14 - Pinter’s sexual politicspp 233-248 By Drew Milne Select 15 - Pinter and the critics 15 - Pinter and the criticspp 249-265 By Yael Zarhy-Levo Select 16 - Pinter as celebrity 16 - Pinter as celebrity pp 266-282 By Harry Derbyshire Select 17 - Pinter, politics and postmodernism (2) 17 - Pinter, politics and postmodernism (2)pp 283-296 By Mireia Aragay Select 18 - The Pinter paradigm: Pinter’s influence on contemporary playwriting 18 - The Pinter paradigm: Pinter’s influence on contemporary playwritingpp 297-309 By Steve Waters Select 19 - Afterword: Harold Pinter and cricket 19 - Afterword: Harold Pinter and cricketpp 310-311 By John Fowles Select Bibliography Bibliographypp 312-315 Select Main Index Main Indexpp 316-321 Select Works Index Works Indexpp 322-323
650			_aDrama / European / English, Irish, Scottish, Welsh, Literary Criticism / Drama, Performing Arts / Theater / General, Electronic books, Dramatists, English -- Criticism and interpretation -- 20th century, English drama -- History and criticism -- 20th century, Theater -- England
856			_uhttps://www.google.co.in/books/edition/The_Cambridge_Companion_to_Harold_Pinter/RdoD8_Wj30QC?hl=en&gbpv=1&dq=Cambridge+companion+to+harold+pinter+by+raby+peter&printsec=frontcover
901			_a32435
942			_2ddc _cBK